Fresh Paint, Clean Paint!

October 30, 2015

– Realization #2

It has been most of 4 weeks since my painting trip to Dutch Mountain. The afternoon and evening sun was just as dramatic.

These days I find myself pressed to paint. I want and need to paint! Keep in mind that, I have several circuses to manage here daily, so painting is not always the priority.   Yes, I could be pressed by a deadline, but i try not to dwell on that.  I am also a bit more selective on what is the exciting prompt for choosing my next subject.  (See Reflection #1)

The key here is Clean, Fresh paint.

I am also very keen on establishing a pigment wash to establish a feel for how the painting will fit on a panel.  I start by painting the shapes and wiping out my lights in undertones of cool or warm tone sequence mixed primarily from cadmium red light and quinacridone rose.  These are somewhat transparent and allow light to reflect as warm or cool.  The undertones set the pace for my painting.  Then I gradually build into the layers of colors and values.

20151029_190131 blue and violets

The trick is to build up the colors without quickly making mud on a small 6×6 art panel.  I start by painting a thin color coat of the local colors.  For a landscape that means mixing and painting the sky first. Then I generally lay in my next layer of cooler shadows in values of blues and violet tones to establish depth and shadow forms.

Next, I check my progression and mix for the next layer of warmer lights. Color harmony is very important and adds a dynamic balance to most of my paintings.  For this painting I chose warm earth structures and cool ground shadows.  After establishing my shadow I added yellow tint to all the lights sparkling on the rocks and highlights.  I try to mix my paint values and check them as I go, before adding the next layer of light and forms.  If it doesn’t match or fit with the harmony I take off, remix and match new color.

20151030_102118 blue violet yellows

Greens are much more challenging.  I generally try to establish greenery by simply scrubbing in loose greens and lemon yellows over the blue and violet patches.  Then check for balance in contrast to finalize the atmosphere, highlights, shadows and rugged surface.  Soon after, I begin adding the last few pieces, building up to the brights and final highlights.

20151030_120212

Clean paint is integral to all good painting. Be sure to know your color ranges and mixtures.  Clean paint is important to establishing the mood of a painting.  It is critical to preserving reflected light within the painting. Fresh clean strokes quickly establish atmosphere, depth, and volume of a painting through a tight space.

The important thing to remember is start clean, work clean, paint clean before you know it you will have beautiful color harmonies.

Summer Tomatoes!

August 25, 2013

Summer Tomatoes. 6"x6"   oil on panel.  ID#2013.08.25

Summer Tomatoes. 6″x6″ oil on panel. ID#2013.08.25

Click to Bid here!
Got to love the local farmers markets.  You never know what you can find.  Daily dose of vegetables leads to daily painting. 🙂  I have been waiting to paint these summer tomatoes since yesterday morning!  I love the subtle under tones of cadmium and thought it would be a fun contrast against my favorite blue bowls.

So after a few sketches and wipe offs, I settled into this birds-eye composition.   I focused on simplifying the shapes and layers to build up the depth.  While playing with the balance of the complimentary color scheme. Turned out nicely.

This Little Piggy…

September 13, 2012

Drawing inspiration from the child hood rhymes:
and an adorable stuffed pig with personality we have the makings of a series of fun little paintings.
This Little Piggy… 

So much potential subject matter to yield lovely simple little paintings that lend to great paint passages and expressive compositions.

This little piggy just wants to stay home and hide her head under the blankets.

This Little Piggy Stayed Home. 5×7. #2012_07_12.

Early morning light and deep shadows really helps push the composition.  The light both softens and warms up the compositional balance of negative shapes. A few more layers of paint composing the rounded feet and curly tail add just a touch of whimsy and dimension.

This Little Piggy Snuggled. 5×7 #2012_07_13

This little piggy wants to snuggle in the morning light with her favorite monkey.  Again the lighting and shadows help define the composition while a similar palette of warmer pink and cooler blue values establish the rounded forms of the plush piggy.

Five more minutes… 5×7. 2011.

Five more minutes was the first of this series.  So it is understandably a bit more simplistic.  However by changing the lighting, I ended up with a darker mood and value study.

These paintings are more color, light and compositional studies while really working through a new medium and discovering its various characteristics.   So these are just a few of a growing series of studies to work out.
I wonder what This Little Piggy shall do next?

Tomato Trio.

July 6, 2011

Tomato Trio. 5x7. 2011.07.06

A spoon full of veggies can be more than just tasty!

Today’s painting is a 5×7  Yellow / Violet split complement study of a few cherry tomatoes from my sister’s garden.  The challenge of the subject was the somewhat transparency of the tomatoes when in the sunlight.   *Yellow and Violet are opposite on the color wheel.  When mixed together they create a variety of neutrals and help to emphasize the color contrasts between complements.

Time to go put my veggies together for dinner.