Shades of the past.

September 5, 2017

Working on the next step in the collection of paintings of Memaw’s homes from the past 91 years. As I mentioned before, it is quite extensive, so I  have begun working on them one by one.  

This painting is a great example of simpler times post World War II.  It is a quant 2 bedroom – 1 bath house with wooden steps and a side porch. Many hot summer days were spent in the yard or on the porch.  

I found it quiet challenging to paint all the changing values of summer greens and whites.  Though I think it successfully portrays the hot summer days of years past.

This is painting #9 in my list of locations. 

Painting the past…

September 3, 2017

I have begun work on a new chapter in my paints recently.  I am creating a collection of paintings preserving all the places my grandmother has lived.

There are a lot to include. Some places have been well loved by their families and others are no longer standing in the same place.  

So I decided to include paintings of the locations as the are now or familiar landmarks that are still there.

In one of the more unusual subjects, rhe current owner has repurpose the stainless steel bathtubs into a private garden.  And today’s painting is the result of that memory.

This is painting #8 in my list of locations. ūüôā

Scouting Paintings

April 21, 2016

Spring is here! It has been most of 5 winter months, with very little plein air painting.  I have ventured out a few times since January to paint.  Only to return home with frozen paint fingers and very little actual painting started.

Now that spring is definitely here. ¬† Everything is blooming in a wide range of colors and compositions.¬† Spring offers lots of opportunities to paint, especially with the wide variety of Texas wild flowers here that deckle our rich historical architecture and homes. It’s truly inspiring but can be overwhelming too.¬†¬† The challenge is selecting a location to paint.¬† To discover a spot that will still be interesting at the end of the painting.

So a few weeks back I opted to just look for painting locations.   Luckily the local town was founded in 1848 and has a large selection of historic architecture and homes nestled among wild flower and poppy gardens.  So there is a lot to choose from.    Thankfully, the weather was quite comfortable for walking through the neighborhoods. I happily spent my Saturday morning, just scouting out new opportunities looking for possible compositions.

As with all plein air painting there are challenges to consider, like location, safety, shelter from elements, or traffic?  Is it safe to park and set up your easel in a new area?  Is there sufficient shade shelter to protect you from the sun or unexpected shower?  How much street traffic can have a major impact on the ability to start let alone finish a painting on-site.   Is there a decent spot to stand without disturbing any unwanted pests like fire ants or wasps?


I also find it very helpful to include pictures of the street signs to help remember where my best locations are. Lastly,¬† it always a good idea to introduce your self to the locals before you discover you are in “someone’s spot.”

Luckily my scouting about the poppies worked out.  As I was recording possible spots, I stumbled upon a lovely side street garden.  It was so inspiring!  I decided to introduce my self and say thank you for such a wonderful spot.  Now I have another place to go and share the fun of painting new garden stories.

Since then it has rained a fair amount with more rain.  Which means my plein air painting outside will be very limited for me in the next few weeks.  So I have been perusing my stash of pictures scored on my outing and working out preliminary sketches.  Which means should I get the chance to go paint I will know just where is my next stop!

Fresh Paint, Clean Paint!

October 30, 2015

– Realization #2

It has been most of 4 weeks since my painting trip to Dutch Mountain. The afternoon and evening sun was just as dramatic.

These days I find myself pressed to paint. I want and need to paint! Keep in mind that, I have several circuses to manage here daily, so painting is not always the priority.   Yes, I could be pressed by a deadline, but i try not to dwell on that.  I am also a bit more selective on what is the exciting prompt for choosing my next subject.  (See Reflection #1)

The key here is Clean, Fresh paint.

I am also very keen on establishing a pigment wash to establish a feel for how the painting will fit on a panel.  I start by painting the shapes and wiping out my lights in undertones of cool or warm tone sequence mixed primarily from cadmium red light and quinacridone rose.  These are somewhat transparent and allow light to reflect as warm or cool.  The undertones set the pace for my painting.  Then I gradually build into the layers of colors and values.

20151029_190131 blue and violets

The trick is to build up the colors without quickly making mud on a small 6×6 art panel.¬† I start by painting a thin color coat of the local colors.¬† For a landscape that means mixing and painting the sky first. Then I generally lay in my next layer of cooler shadows in values of blues and violet tones to establish depth and shadow forms.

Next, I check my progression and mix for the next layer of warmer lights. Color harmony is very important and adds a dynamic balance to most of my paintings.¬† For this painting I chose warm earth structures and cool ground shadows.¬† After establishing my shadow I added yellow tint to all the lights sparkling on the rocks and highlights.¬† I try to mix my paint values and check them as I go, before adding the next layer of light and forms.¬† If it doesn’t match or fit with the harmony I take off, remix and match new color.

20151030_102118 blue violet yellows

Greens are much more challenging.  I generally try to establish greenery by simply scrubbing in loose greens and lemon yellows over the blue and violet patches.  Then check for balance in contrast to finalize the atmosphere, highlights, shadows and rugged surface.  Soon after, I begin adding the last few pieces, building up to the brights and final highlights.


Clean paint is integral to all good painting. Be sure to know your color ranges and mixtures.  Clean paint is important to establishing the mood of a painting.  It is critical to preserving reflected light within the painting. Fresh clean strokes quickly establish atmosphere, depth, and volume of a painting through a tight space.

The important thing to remember is start clean, work clean, paint clean before you know it you will have beautiful color harmonies.

Paint the Exciting!

October 23, 2015

РRealization #1 

My recent painting retreat sparked a new creative energy.  More to the point it has spurred quite the internal thought process even while away from my easel and studio.  Just what I needed.   Typically, in an academy settings I would share my enlightenment with fellow artist.   But instead I am sharing my thought process and perspective here, lucky you.

North view from Dutch Mountain, Llano Cnty.

East view from Dutch Mountain, Llano County.

So back to my internal musing.

While away on my painting retreat. I was lucky enough to witness the changing colors as the sun passed over the granite hills and boulders.  I found myself giggling at the joy of the immense beauty of Llano county even in a drought.  That night I stepped outside under a hushed canopy of tree tops and cicadas to see the blinking of the night stars transform into a swirl of the twinkling milky way.  I gave myself permission to just BE a part of it all.  I could choose to paint. I could also choose to just watch the colors change.  I did not need to feel overwhelmed or pressured to choose the one great painting.  I could and should enjoy painting a thousand paintings instead.  Each one would be different.  If I managed to capture a small part of the fantastic beauty, I was successful.

I resolved to paint what EXCITED me.

I chose to paint that which invited me to pick up my brush and mix my paints.  I could capture the play of lights as they carved into the boulders. For me exciting was painting the flow of energy from light to dark, through the shadows and down sun-kissed edges.  The collection of patterns and shapes reflect and capture the EXCITEMENT and energy found there in nature.  If the light changed, I could stop and revisit it later.  There was no need or pressure to force a painting.

20151014_114012 East view boulders Dtch Mtn

East view boulders Dutch Mountain. 6×6

The Exciting subjects offer an unspoken challenge to just BE, to absorb, observe.  Somewhere along the way, it becomes a dynamic dialog within me and my subject, the composition, the patterns, color palette and values.  Sometimes it begins to paint itself.

So Paint the Exciting!

Georgetown, On the Square!

September 25, 2015

Back to painting square by square ~ On the Square!

On the Square. Aubin Buliding.  6"x6"  #2015_09_19.

Aubin Orange, On the Square, Georgetown. 6″x6″ #2015_09_19.

Last weekend, we were invited back to Georgetown, TX to paint more of the the historical buildings by the Heritage Society.  As I mentioned in earlier blog posts Georgetown proper was founded in 1848!   That adds for a lovely collection of architectural blending of old and new.  This time as I walked the square I was drawn to a vibrant aged red brick building nestled next to one of the first buildings.  Behind them was the top spire of the county courthouse.

I have probably walked past that spot a handful of times. Occasionally, even snapped a few pics of the buildings thinking that would make a great painting. I have though to myself, “Oooh, that could be interesting for composition.”¬† However, the timing, light, location and energy didn’t fit those times.¬† But on that September morning, the light and the shadows offered plenty of opportunity to play with my paint.

I knew my light would change soon so I opted to stay within the smaller 6″x6″ square.¬†¬† I quickly washed in a few loose oil sketches to get an interesting composition. Then pushed in violet shadows and added loose color spots on a panel.¬† Before long it was well underway.¬† The Aubin building offered vibrant orange¬†to balance against visual textures of the older stone building, voluminous clouds and cooler violets of the shadows and distant dome.

I feel that some places are always paint-able, some more than others.  But you have to look and listen to your subjects for all the pieces to fit to best capture the ambiance of the scene.  With in a few hours, I was pretty sure I could not improve the painting.  So packed up my gear and brought it home to put my finishing details in with a steady hand.

I am very pleased to have captured a square of the Square surrounding such a place rich in history.  Next week it will be displayed in part of the Heritage Society exhibit as part of the Heritage awareness month with an artist reception on Oct. 1st.  I plan to have a few other Georgetown gems for show then too!

Front porch special!

Blue Porch on 1st Street.

Blue Porch on 1st Street. Oil on panel, 6×6.

Yesterday, we were invited to paint the historical part of Georgetown by the Heritage Society.¬† Georgetown proper was founded in 1848!¬† Much of the down town features homes, buildings and architecture from the early 1900’s. The weather was great already warming up into the 80’s and the last of the Georgetown poppies were gorgeous.¬† It made it quite challenging to pick just the one spot to paint.

So I settled for walking just beyond the town square and discovered a lovely little spot to paint.¬† I chose to work smaller on a 6″x6″ panel to be sure I could finish most of it while on site.¬† Then set to work out an interesting composition within the square format.¬†¬† I love the dynamic juxtaposition of blue green porch with the vibrant red-orange poppies.

I am happy to say that I am very pleased to have captured the bright morning glow and shadows surrounding such a lovely place.  Even better to have it displayed next week in part of the Heritage Society exhibit as part of the Heritage awareness month.

Back in the Atmosphere!

February 21, 2015

I’m back in the atmosphere…of Plein Air painting that is.¬†¬†¬† It did take a push and a shove but I am getting there.¬† So I am learning to make the most of my time to enjoy what I love most.¬† Painting and visiting new places…so en Plein Air it is!

Today, we were graced with awesome weather and even a spot of sun now & then.  So I ventured out to the stomping grounds of older Austin РHyde Park. Oh, but what will I paint?  There was so much to choose from, I finally just started painting where I was standing.

Quacks Corner Table - Hyde Park, Austin

Quacks Corner Table – Hyde Park, Austin

The trick is to find an agreeable spot, off the sidewalk jet not obscuring the painting view.  The limited sunlight did prove challenging in mixing accurate colors.  But I mustered my brushed and pushed paint.

The neighborhood is so active and hospitable!  I was so busy painting, I did not have time to take in all the yummy smells from the well-known restaurants.   There is so much more to capture.  Yes, I shall go back.

For now, I hope you enjoy my posts and stay tuned for future painting ventures.


Lost creek cliffs…

October 17, 2013

The recent rains have overflowed many of our creek beds including Barton Creek.  More importantly we are beginning to see the edges of fall colors too!  But not before the wildflowers have one more crazy burst of colors.  So I ventured out to Lost Creek to find a bit of inspiration from our great weather and local terrain.

Lost Creek Cliffside Trail 2013_10_17

Lost Creek Cliffside Trail 2013_10_17

Click to bid here

Thursday paint out  offered a chance to capture the play of morning light on the lower cliffs along the swollen rushing creek bed of Lost Creek in the west hills of Austin.
It was a bit crisp for an early start but the warm sun very energizing.  It was a nice change to paint the early kiss of fall colors beginning to transform our landscapes.

Studio set up…

October 14, 2013

Any studio space requires few specific component: lighting, easel (work space), and storage for materials.  Arranging them all to fit the artist needs is quite the challenge, and can drive some of us simply mad.It has been nearly five months since I moved to my smaller blank studio. It has taken me most of that time to research studio setups, build in storage, set up lighting.

I recently started building in a wall easel to accommodate larger paintings without sacrificing floor space. ¬† It is effectively a large 8′ x 8′ easel with multiple vertical masts to accommodate BIG paintings or multiple panels side by side.¬†Thankfully, the simpler design requires very few major tools.¬† I did find the auto leveler quite useful for the 8ft expanse.¬† I still need fabricate the bar clamps (awaiting parts), but I am excited about it!

Wall easel framed out.

Wall easel framed out.

The wall easel is quite brilliant and inspired by Jason Tueller

Meanwhile all this time, I continued to struggle to really get a feel for what my studio space should be.  So much to my frustration even after installing the wall easel, my studio still felt out of sorts.  I kept turning around to find myself walking back out of the cave, even more frustrated.

So this morning, I resolved to flip the layout of my studio in hopes of opening up the space.  We took down the wall easel (sanded down any fussy spots) and reassembled it on the opposite wall.  This required me to relocate the lighting to the opposite side of my studio.   I have also realized I should down size my giant taboret to soon to something more smaller.

Studio Flip

Studio Flip

After much help from my loving husband, I have achieved a better layout and better energy for working.  I have room set aside for future still life area,more shelving, a work desk and a resting / thinking spot.  I even worked in a short still life study to find myself positively happy even after whipping it off.

Tonight, the studio feels so much better with open wall space and balanced lighting.