Summer Tomatoes!

August 25, 2013

Summer Tomatoes. 6"x6"   oil on panel.  ID#2013.08.25

Summer Tomatoes. 6″x6″ oil on panel. ID#2013.08.25

Click to Bid here!
Got to love the local farmers markets.  You never know what you can find.  Daily dose of vegetables leads to daily painting. 🙂  I have been waiting to paint these summer tomatoes since yesterday morning!  I love the subtle under tones of cadmium and thought it would be a fun contrast against my favorite blue bowls.

So after a few sketches and wipe offs, I settled into this birds-eye composition.   I focused on simplifying the shapes and layers to build up the depth.  While playing with the balance of the complimentary color scheme. Turned out nicely.

Spring Break Inspirations

March 13, 2013

Well it’s hump day of our spring break here.
Since my Easy-L tripod is in the shop for repairs I am limited to painting at home this week. So I started looking for fun painting inspiration here at home.   A good day for peanut butter sandwiches and painting!

Still life for lunch.

Still life for lunch.

Course lunch time can not be missed, and must be served on the favorite blue plate with rectangle sandwiches. ~for fear of the tummy monster might unexpectedly visit.

Thus today, I found inspiration in my son’s lunch. 🙂
After scraping my palettes, I laid out fresh clean paint.  2 yellows, 2 blues, 2 reds. Specifically: cad red light and cad red medium and white.  I laid out my under painting with a wash mixture of cad red light and violet (alizarin & ultramarine).  Then borrowing a few notes from a recent workshop with Carol Marine I set to painting islands and oceans of clean grays.

Easy-L palette at work.

Easy-L palette at work.

Turns out it made a great complimentary study.  Yes, Blue and Orange or opposites on the color wheel.
2013_03_13 Spring Break lunch 6x6
I think I had just as much fun painting the bread and crusts of the sandwich as I did defining the orange.   It was a good painting hump-day indeed.

 

 

Pushing Poppies

November 27, 2012

Last week, I realized I had a large old canvas that I had started with but the painting never finished to my expectations.  It had lovely spots but as a whole never synced.  It had the color spots for the poppies painting I had been planning out.  So I picked it up, dusted it off.  Yes, that’s the nature of my garage studio space.  And started laying in the ground work for the new painting.  Looking back I wish I had photographed it more through the process.  But I was set on working it through rather than documenting it at the time.

I riffled through my reference stacks for any poppies. Cropped in to layout the desired composition and sketched a rough layout.

Cropping in on Composition

Roughed in sketch for Poppies.

This time rather than pre-prime with more gesso or extra paint I set to roughing in a loose abstracted pattern of the composition in limited gray values.

It was quite liberating to just push, carve and scrape thick buttery paint around on a large canvas again!  All with the simple intention to push the shapes so that they push and pull within them selves.  It’s coming together a bit better than I expected.

Pushing Poppies in Progress. 30″ x 40″

Pushing Poppies is a welcomed paint break started to simply just push the paint around again.  It has been a while since I have had the time and detachment to so on a canvas.  It was a much needed break from all the tight bottled up spaces I have been dealing with here lately.

It is evolving each day just a little more. But I’m ok with where it is taking me just now.

This Little Piggy…

September 13, 2012

Drawing inspiration from the child hood rhymes:
and an adorable stuffed pig with personality we have the makings of a series of fun little paintings.
This Little Piggy… 

So much potential subject matter to yield lovely simple little paintings that lend to great paint passages and expressive compositions.

This little piggy just wants to stay home and hide her head under the blankets.

This Little Piggy Stayed Home. 5×7. #2012_07_12.

Early morning light and deep shadows really helps push the composition.  The light both softens and warms up the compositional balance of negative shapes. A few more layers of paint composing the rounded feet and curly tail add just a touch of whimsy and dimension.

This Little Piggy Snuggled. 5×7 #2012_07_13

This little piggy wants to snuggle in the morning light with her favorite monkey.  Again the lighting and shadows help define the composition while a similar palette of warmer pink and cooler blue values establish the rounded forms of the plush piggy.

Five more minutes… 5×7. 2011.

Five more minutes was the first of this series.  So it is understandably a bit more simplistic.  However by changing the lighting, I ended up with a darker mood and value study.

These paintings are more color, light and compositional studies while really working through a new medium and discovering its various characteristics.   So these are just a few of a growing series of studies to work out.
I wonder what This Little Piggy shall do next?

Catching Painted Skies

July 13, 2012

Catching painted skies!
Well it has been a busy summer thus far.  Already into July here in Texas, and I’ve found little time for my blog.  But with the summer adventures come summer fireworks and we have been lucky to welcome summer storms and much-needed rain.

sweeping storm reference.

I get to welcome the added advantage of ever-changing skies.   The skies change rapidly in color and shape as the winds sweep the fronts along.  So one should always be ready with the friendly camera, timing and a bit of luck to catch rapid changes.   Add in the cooling temps and rhythm of spattering rain you have all the ingredients for great paintings.  Not to mention any excuse to paint purple skies is a welcome playful palette.
Love it!

Storm front at Sunset.

Last week brought unplanned packing and traveling. But I remembered my clever Easy-L paint box and was able to pop in a few paintings even while on the road.  Don’t get me wrong, it was not as easy or stress free as it should be.  But I did manage to find a southern window, added a spectrum lamp small adjustable office chair (from the office) and started about to mixing my limited palette.  5 values of gray, + cerulean, alizarin, cadmium red light, lemon yellow, and violet mixture for my shadows.

I focused on the simple movement and shapes of the clouds for the first 5×7. I intentionally minimized the warmer landmass to balance against the vast cooler sky mass.

Storm Sweeper. 5×7 2012_07_07

In the second 5×7, I was working on layering and rolling the edges and shadows of the clouds.   The challenge was moving from warm sun kissed edges of sunset to the softer violets in the underside.

Sky Fish, Sunset Storm. 5×7. #2012_07_08

It’s funny what the eyes record and the brain registers.  Some where along the way it evolved in a credible Sky Fish painting.

 

Today’s left overs – Cascarones!

Well what’s left from our weekend adventures.  My backyard is littered with a menagerie of colorful confetti.   At least I will have color back there when the sunflowers fade for the summer.

But it does make for fun painting.
So here is tonight’s play in paint and color.

Cascarones for Annie! 5x7 #2012.04.10

The confetti eggs are very vibrant but the challenge in painting them is figuring out a composition to feature the confetti inside.  I intentionally featured the traditional cardboard egg crate too.   Good thing I got pictures because I expect the last dozen will be cracked open tomorrow after school.

Yesterday’s Eggs!

April 9, 2012

What does one do with all the leftover eggs after the Easter egg hunt?
Well, paint them of course.

One of the reasons kids love to decorate and dye eggs are for all the colors that can be created with just a few dyes.
Then even more fun to hide, hunt crack and eat them.

Course I like to dye and decorate them too. But it’s more fun to paint them.
So here is today’s daily fun paint adventure with our leftover eggs.

Yesterday's Eggs 5x7 #2012.04.09

Definitely challenging trying to model the elliptical egg shapes as they overlap and their local colors reflect against one another.  The glass dish added another level of interest trying to depict it’s soft curves and reflections with out over painting it.